Filmmakers have advanced a long way from the early use of those rear projection scenes. We laugh at those now but Hollywood FX needed to start somewhere. Today, directors can call on the current cutting-edge technology to help them inform their story. Some people think that there is an over dependence on special effects, to the detriment of story and characterization. New strategies have had the most impact on historic legendaries, science fiction and animation.
A combination of minis and stop movement animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the fantastic appearance real, in motion pictures that included Jason and the Argonauts and The Golden Voyage of Sinbad. No miracle was beyond the power of unique effects gurus.
Additional advancement came when effects manager Douglas Trumball invented new methods for the last voyage in Kubrick's 2001: A Space Odyssey. The hallucinogenic images raised the bar for others to follow. Director George Lucas rose to the difficulty and surprised audiences with Star Wars in 1977. His group invented a new computer managed electronic camera that enhanced repeated video camera motion and widescreen shots. Lucas then formed Industrial Light and Magic, the business that has actually originated Hollywood FX since.
Today, we are utilized to the concept of movies being shot with a blue screen and the background being included later. Computer Graphics Imaging (CGI) dominates the scene now. Any item or person can be manipulated by the computer and mixed in with the live action. This method was put to great usage in Spielberg's Jurassic Park and James Cameron's Terminator 2: Judgment Day. The effects group at Pixar has actually presented it to their full length animations, such as Toy Story. The days of laboriously hand painting each frame of animation are practically gone. The Weta workshop in New Zealand has built a reputation as one of the very best unique effects companies, especially since the success of the Lord of the Rings trilogy.
effects will continue to advance now that the genie of innovation is out of the bottle. Hollywood FX has made the return of the epic movie possible. It would have been cost expensive to develop a mock up of the Coliseum in Gladiator. Russell Crowe fights the lions in a CGI virtual world.
We laugh at those now but Hollywood FX had to begin somewhere. A mix of miniatures and stop movement animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the fantastic appearance real, in movies that consisted of Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the company that has actually originated Hollywood FX ever considering that.
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