Filmmakers have advanced a long way from the early usage of those rear projection scenes. We laugh at those now but Hollywood FX needed to begin somewhere. Today, directors can call on the most recent state of the art technology to assist them tell their story. Some people believe that there is an over reliance on special effects, to the hinderance of story and characterization. New methods have had the most influence on historic epics, sci-fi and animation.
A mix of minis and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the great appearance real, in movies that included Jason and the Argonauts and The Golden Voyage of Sinbad. No wonder was beyond the power of special effects experts.
More advancement came when effects supervisor Douglas Trumball created brand-new techniques for the final trip in Kubrick's 2001: A Space Odyssey. The hallucinogenic images raised the bar for others to follow. Director George Lucas increased to the challenge and shocked audiences with Star Wars in 1977. His team developed a brand-new computer controlled cam that enhanced duplicated camera motion and widescreen shots. Lucas then formed Industrial Light and Magic, the company that has pioneered Hollywood FX ever since.
Today, we are used to the idea of films being shot with a blue screen and the background being added later. Computer Graphics Imaging (CGI) controls the scene now. Any things or individual can be controlled by the computer system and combined in with the live action. This technique was put to terrific usage in Spielberg's Jurassic Park and James Cameron's Terminator 2: Judgment Day. The effects group at Pixar has introduced it to their full length animations, such as Toy Story. The days of laboriously hand painting each frame of animation are just about gone. The Weta workshop in New Zealand has actually developed a track record as one of the very best special effects companies, especially given that the success of the Lord of the Rings trilogy.
effects will continue to advance now that the genie of technology is out of the bottle. Hollywood FX has made the return of the epic motion picture possible. It would have been cost excessive to build a mock up of the Coliseum in Gladiator. Russell Crowe battles the lions in a CGI virtual world.
We laugh at those now however Hollywood FX had to start somewhere. A mix of miniatures and stop movement animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the fantastic appearance real, in movies that consisted of Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the company that has actually pioneered Hollywood FX ever given that.
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